The king is noble and fearless, yet suffers an unimaginable tragedy at the hands of Herobrine and his monsters. As such, his theme calls quietly from the trumpet, peaceful but tinged with a sadness at things lost and better times hoped for.
The village, before its ruin at the hands of Herobrine and his monsters, was a peaceful and happy place. Acoustic guitar, flute, and tambourine create a vaguely medieval setting through their lighthearted interplay.
Both the motif for Herobrine, the glowy-eyed humanoid antagonist of the first two chapters of the story, and the underscore for the destruction he orchestrates, this music recurs in a number of variations.
The desert village is isolated but warm, populated by friendly villagers and the hero whom they rescued from the rubble of the kingdom. This theme bears similarity to the village theme but leans into a slightly different harmonic signature.
To become the hero he needs to be to take back his kingdom, the young hero must learn how to fight. His time in the wildnerness under the tutelage of his master is chronicled through churning strings and brass moments that allude to the fulfillment of his training.
The hero is the son of the king, the remnant of the Fallen Kingdom, and ultimately, the savior of the overworld. His theme necessitated not just a heroic tune, but a driving nature to it that parallels his unbridled courage and bravery in all things.
The desert village in the hero's adult life isn't just a place of healing, but his permanent home. As such, this evolution of the village theme is the most uplifting yet, maybe even a pinch comical as the hero runs around grabbing his friends.
After a vision of his father, the hero feels it is time to return to his kingdom and departs from his village. The theme here begins in guitar before working its way to horns and trumpet, capturing the extent of the trek over land and sea.
The schemers are the nefarious inhabitants of the hell dimension and primary antagonists of the latter two chapters of the story. An irregular march by snare drum punctuated by angry brass flares serves as their sinister theme.
Much like the attack theme, this one deals with invaders of the overworld, but more specifically those from the hell dimension when they launch their worldwide attack. Bits of the music come from the attack and schemers themes.
The dragon is historically the one of mankind's greatest adversaries, and this story gives no exception. Yet the king finds a way to tame him, so the theme, at first full of awe and then frenzied panic, turns majestic for his conquering of the unconquerable.
Sacrifice is the ultimate heroic action, and the hero makes it his path to save his father and the rest of world. Strings and guitar strums recall briefly the love and care that brought the hero to this moment before one resouding final statement of his theme ushers in his defining act.