In early 2019 I was contacted by director Foster Solomon about possibly contributing music to this film. When all was said and done, Foster elected to include four cues by me in his movie, which dealt with the dilemma of a pastor having to save the man who killed his wife. To cater to the sadder subtext of the film, my music is moody and textural, zeroing in on the protagonist's grief for and memory of his lost spouse.